Greek Texts & Translations

But Procles, the son of Eucrates, a Carthaginian, thought a different account more plausible than the preceding. It is as follows. Among the incredible monsters to be found in the Libyan desert are wild men and wild women. Procles affirmed that he had seen a man from them who had been brought to Rome. So he guessed that a woman wandered from them, reached Lake Tritonis, and harried the neighbours until Perseus killed her; Athena was supposed to have helped him in this exploit, because the people who live around Lake Tritonis are sacred to her.

In Argos, by the side of this monument of the Gorgon, is the grave of Gorgophone (Gorgon-kilIer), the daughter of Perseus. As soon as you hear the name you can understand the reason why it was given her. On the death of her husband, Perieres, the son of Aeolus, whom she married when a virgin, she married Oebalus, being the first woman, they say, to marry a second time; for before this wives were wont, on the death of their husbands, to live as widows.

In front of the grave is a trophy of stone made to commemorate a victory over an Argive Laphaes. When this man was tyrant I write what the Argives themselves say concerning themselves—the people rose up against him and cast him out. He fled to Sparta, and the Lacedaemonians tried to restore him to power, but were defeated by the Argives, who killed the greater part of them and Laphaes as well.

Not far from the trophy is the sanctuary of Leto; the image is a work of Praxiteles.

The statue of the maiden beside the goddess they call Chloris (Pale), saying that she was a daughter of Niobe, and that she was called Meliboea at the first. When the children of Amphion were destroyed by Apollo and Arternis, she alone of her sisters, along with Amyclas, escaped; their escape was due to their prayers to Leto. Meliboea was struck so pale by her fright, not only at the time but also for the rest of her life, that even her name was accordingly changed from Meliboea to Chloris.

Now the Argives say that these two built originally the temple to Leto, but I think that none of Niobe's children survived, for I place more reliance than others on the poetry of Homer, one of whose verses bears out my view:— Though they were only two, yet they gave all to destruction.
Hom. Il. 24.609So Homer knows that the house of Amphion was utterly overthrown.

Opposite the grave is a small bronze vessel supporting ancient images of Artemis, Zeus, and Athena. Now Lyceas in his poem says that the image is of Zeus Mechaneus (Contriver), and that here the Argives who set out against Troy swore to hold out in the war until they either took Troy or met their end fighting. Others have said that in the bronze vessel lie the bones of Tantalus.

Now that the Tantalus is buried here who was the son of Thyestes or Broteas (both accounts are given) and married Clytaemnestra before Agamemnon did, I will not gainsay; but the grave of him who legend says was son of Zeus and Pluto—it is worth seeing—is on Mount Sipylus. I know because I saw it. Moreover, no constraint came upon him to flee from Sipylus, such as afterwards forced Pelops to run away when Ilus the Phrygian launched an army against him.

But I must pursue the inquiry no further. The ritual performed at the pit hard by they say was instituted by Nicostratus, a native. Even at the present day they throw into the pit burning torches in honor of the Maid who is daughter of Demeter.

Here is a sanctuary of Poseidon, surnamed Prosclystius (Flooder), for they say that Poseidon inundated the greater part of the country because Inachus and his assessors decided that the land belonged to Hera and not to him. Now it was Hera who induced Poseidon to send the sea back, but the Argives made a sanctuary to Poseidon Prosclystius at the spot where the tide ebbed.

Going on a little further you see the grave of Argus, reputed to be the son of Zeus and Niobe, daughter of Phoroneus. After these comes a temple of the Dioscuri. The images represent the Dioscuri themselves and their sons, Anaxis and Mnasinous, and with them are their mothers, Hilaeira and Phoebe. They are of ebony wood, and were made by Dipoenus and Scyllis. ^note The horses, too, are mostly of ebony, but there is a little ivory also in their construction.